Expanding upon the conceptual framework of Coming and Going, this work interrogates the dialectics of connectivity and alienation within Hong Kong’s fluid geopolitical landscape. Centered on three pivotal bridges linking the territory to Mainland China and international gateways, the installation reclaims these colossal infrastructures as liminal sites of psychological tension. By shifting the focus from the monumental scale of these physical arteries to the micro-perceptions of the individual, the work transforms a public "non-place", a site of transit devoid of identity, into a highly charged, critical artistic arena.

Through a multi-channel video arrangement, Going and Coming orchestrates a deliberate temporal dissonance, utilizing divergent playback speeds to disrupt perceived synchronicity. This formal fracturing functions as a psychological mirror, reflecting the estrangement and fractured interiority experienced during periods of migration and institutional transition. As the visuals drift in and out of phase, the massive concrete structures are rendered into intimate, shifting landscapes of the mind. By destabilizing the rhythm of passage, the work evokes the profound emotional detachment latent in modern movement, challenging the viewer to confront the dissonance between physical arrival and psychological presence. This project was showcased in the exhibition #FBEFF6 at Mooroom, Hong Kong.